Thursday, April 23, 2015

Week 16 Prompt Response


Reading has changed for since my childhood. As a child, I used to read pretty much any book that was in the children’s section just because it was in that section. As a teen, I would only read certain subgenres of YA and all those that were apart of that particular genre. As an adult, I consistently try to read the way I did as a teen and it never works out this way anymore.  I feel often times that all books grouped into a particular genre varies in their own way and it’s not the same story written over and over again as I found as a teen. I now read all over the place and do not have a particular favorite genre or a genre that I read more than others. I wish I could say that I only read mysteries and romance and read all that’s released in these genres but that’s not the case.

Twenty years from now as for adults, I think we would read less. The increase of books being adapted into movies makes it so that people want to read these books and that’s great but this won’t hold up for the future.  Every movie released for now on can’t be adapted into a movie. I think reading fiction would become more of exclusive hobbies only for those who actually enjoy and really want to read a book during their spare time. Reading would become more of a choice and something that someone has to be in the mood for. It’s not something that someone looks forward to. New releases in a series, I think are something only a select would be excited for. I think movies and TV show adaptations are not enough to make adults read and I think in way, makes for adults to read less because they can just opt watch the movie instead. I think it’s becoming that you have to choose what you spend your time doing because you can’t do it all. Traditional publishing is turning into the same direction the music industry is facing and self-publishing is the way to go and get noticed by the industry. I think their still would be physical books despite what the “statistics say” about eBooks. Enthusiastic readers which would be the only ones reading twenty years for now and those would of course chose the physical book over an electronic one.

Week 15 Prompt Response


I would like to market my library’s fiction collection by using a combination of displays and programs. The first idea would be to have a bestseller and new and noteworthy section. The idea here is to make it easier for patrons to find popular books and to have award-winning books all in one section. There are always patrons looking for bestsellers and want to be able to find them quickly. This display would be place at an end cap and have bestseller stickers on them. New and noteworthy books that aren’t quite yet bestseller would be placed in the appropriate shelve under new and noteworthy. Bestsellers are a good way to introduce new readers to the fiction genre. Those who don’t regularly read, tend to want to read bestsellers those books are usually stand alones.  The next idea would be a program dedicated to the discussion of fiction books. Where patrons talk about any fiction book they’ve read this week. It’s a way of doing reader’s advisory but sort of in a word or mouth kind of way. Patrons can recommend others in the discussion group their favorites and help them discover new books. Having random discussion about books is a great way that gets others wanting to read what some one else has read. The format of the program would begin with the discussion group’s moderator leading the discussion with their recommended book and so forth leading into a full inclusive discussion. This program would go great with a summer reading adult program. While those who are participating with the reading can share the books they are reading for summer reading. The last idea is a display that focuses on bundles. The idea is to have genre bundles that focus on a different genre each month. For example, June is romance and wedding month. Have books bundled together that have to do with love stories, weddings, marriage etc. This is good for patrons that read seasonally, where they tend to want to read certain books at different times of the year.

Saturday, April 18, 2015

Week 14 Prompt


I think African American fiction and GLBTQ literature should stay with other fiction books. In bookstores it may be separated but as libraries, I think these books should remain with all fiction. The first reason is that it creates the means for someone looking for African American fiction and GLBTQ to browse and see what else is out there. There is so much power in the idea of the search. Patrons may feel that they have to consistently have to go out of their way to find books because there are so few available at the library and are hidden in the mass of other fiction. This is true, but it’s also a good thing to read something that’s not so easily available. The second reason is that it makes it so patrons have to use the online catalog.  This can cause patrons to become more curious and find what other AA or GLBTQ books that they may not know existed. This leads to other discovery because if they were separated they would just swiftly browse and see if the library has the title they want and either find something else or leave. It benefits both the patron and library if patrons stay a little longer and experience what the library has to offer. The third reason is that it helps the library keep unison with its collection. Although, in some libraries the mystery and sci-fi are separated, this is great because they are two huge genres with ongoing series. AA and GLBTQ are two emerging genres where most libraries don’t carrier every AA and GLBTQ that is released. Libraries may only carry those with good reviews and with buzz. If separated, it would only be a small section with what I hope would expand in the future. It also depends on the demographics and the community and the size of the library. Smaller libraries most likely won’t separate but larger libraries may have the room to do so but it depends on the collection and what books qualify as AA fiction and GLBTQ and that also plays into the collection decision as well.  

Friday, April 10, 2015

Week 13 Prompt


I think as librarians we should be on the same page with adults and often times encourage them to read YA and graphic novels. The majority of graphic novels created are targeted towards adults. I think the stigma is that only certain types of adults read graphic novels and adult graphic novels are weird. There can be many different reasons why an adult enjoys reading graphic novels and it shouldn’t matter. To me, I think it’s the same as any sci-fi book out there but with graphic drawings. Its just putting a visual to any sci-fi novel but it’s just significantly shorter and released in volumes.
Graphic novels are not just for kids because they are colorful, features illustrations and contains a drastically shorter word count compared to novels. We’ve all enjoyed The Simpsons and Family Guy. These two shows are animated and are similar in format to most children’s programming but the content isn’t for kids and was created to be enjoyed by adults. I think in the case for graphic novels, it’s the content that matters not the format as to whether or not who should read them.
 As for YA, I think adults read YA more when it’s a book that has a lot of buzz surrounding it, such as an adaption into a featured film. But those who read YA leisurely should always feel welcomed to read it. A lot of adults who still may read YA literature because they’ve enjoyed it as teen themselves and may want to keep that aspect alive in their adulthood.
I think lesser-known formats get attention when there’s buzz surrounding it or being adapted into a film.  It makes people who wouldn’t to read it otherwise, read it. This is good in a way that it cuts down on the many misconceptions and it becomes more socially acceptable. The more graphic novels that are adapted into featured films, the more people are going to read them and see for themselves that they actually aren’t that weird as they’ve thought and its perfectly okay for adults to read them.  The same for YA literature, which seems to becoming a trend now with the popular film releases of The Fault in our Stars, Divergent and The Hunger Games.

Thursday, April 9, 2015

Young Adult Annotation: Matched


Title: Matched
Author: Ally Condie
Publication: Speak; September 20, 2011
Edition: Paperback 416 pages

Synopsis: Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander's face appears on-screen at her Matching ceremony, Cassia knows he is her ideal mate . . . until she sees Ky Markham's face flash for an instant before the screen fades to black. The Society tells her it's a glitch, a rare malfunction, and that she should focus on the happy life she's destined to lead with Xander. But Cassia can't stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society's infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she's known and a path that no one else has dared to follow. (Amazon)

Setting/Time Period: Modern day but Utopian/Dystopian society

Genre: Young Adult, sci-fi/fantasy, fiction fantasy; romance

Subject Headings: Dystopias, mate section-fiction, teen literature

Elements of a Young Adult novel: Story is about teens and their lives. Contains more mature dialogue and language than those found in children’s literature but not too mature as found in adult literature.

Appeal: Dystopian meets love triangle. Evenly paced story. On the fluffy side of the dystopian description, nothing too out there. Mainly focused on the love and romance nothing really much about that would reflect dystopia that is horrible. Good romance read for teens.




Read A Likes:

Desire by Kallin Gow
The Selection By Kiera Cass
Delirium By Lauren Oliver


Graphic Novel Annotation: Fables


Title: Fables: Legends in Exile, Vol.1
Author: Bill Willingham       
Publication: Vertigo; May 22, 2012
Edition: Paperback 144 pages Vol. 1

Synopsis: When a savage creature known only as the Adversary conquered the fabled lands of legends and fairy tales, all of the infamous inhabitants of folklore were forced into exile. Disguised among the "mundys," their name for normal citizens of modern-day New York, these magical characters created their own secret society that they call Fabletown. From their exclusive luxury apartment buildings on Manhattan's Upper West Side, these creatures of legend must fight for their survival in the new world.  (Amazon)

Setting/Time Period:  In fictitious town called “New York City” similar to that of modern day New York City

Genre: Graphic Novel, Fantasy

Subject Headings: Fairy Tales; comic books, strips

Elements of a graphic novel: Art, storyboard format, quote bubbles with narrations, captions read from left to right. Story continues in volumes. On the short side meant to continue in later volumes.

Appeal: Fantasy/fairy tale that includes aspects of some of the classic fairy tales.  In-depth storytelling that flowed well with the illustrations, which helps one to not get lost from reading the captions and looking at the illustrations. A unique fun take on some the most classic fairy tales creatively intertwined.

Good graphic novel that held my attention. In the past I’ve tried to read graphic novels but I’ve always never get past the first page. This one, got me passed the first page and I’ve finished in two days. I actually wanted to finish reading it. The artwork is really good and helped explain the story further than what the captions read. Interesting concept, I enjoyed it. 

Read A Likes:

Saga Vol. 1 by Brian Vaughan (author) and Fiona Staples (illustrator)

The Wicked + The Divine Vol. 1 by Kieron Gillen (author) Jamie McKelvie (illustrator)

Low: The Delirium of Hope Vol. 1 by Rick Remender (author) Greg Tocchini (illustrator)


Sunday, April 5, 2015

Week 12 Prompt


The Readers’ Advisory Matrix for The Geography of Bliss by Eric Weiner

1.     Where is the book on the narrative continuum?
§  Highly narrative (reads like fiction)
§  A mix (combines highly narrative moments with period of fact-based prose)
§  Highly fact based (has few or no narrative moments)

2.     What is the subject of the book? This book is about exploring the happiest places on earth and questioning does happiness exist in these places or is it entirely subjective.

3.     What type of book is it? Psychology; travel, geography with a mix of narrative humor.

4.     Articulate appeal
What is the pacing of the book? Reads quickly, informative and gets your mind thinking.

Describe the characters of the book. The author is also the narrator, considers himself the grumpiest man alive yet he is quite quirky and witty.

How does the story feel? Interesting, humorous, clever and quirky.

What is the focus of the story? Eric Weiner’s travels to this countries (Switzerland, Netherlands, Bhutan, Qatar, Iceland, Moldova, Thailand and Great Britain) to find what makes up and determines their happiness.

Does the language matter? Yes

Is the setting important and well described? The settings are very important and make up majority of the book and its very well described almost to feel as though you have visited these places before.

Are there details and, if so, of what? Yes, there are details of how it country runs, their customs, laws and policies that make its citizens lives.

Are there sufficient charts and other graphic materials? Are they useful and clear? No, just the author’s thoughts and opinions and interactions.

Does the book stress moments of learning, understanding, or experience? Of course, reading this books helps one to understand these countries, the lives of its citizens, their experiences living in these places.

5.     Why would the reader enjoy this book (rank appeal)?
1. Learning/experiencing          2. Tone            3. Narrative

Saturday, April 4, 2015

The Goldfinch


Title: The Goldfinch
Author: Donna Tartt
Publication: Little Brown; October 22, 2013
Edition: Hardcover: 775 pages

Synopsis: Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love--and at the center of a narrowing, ever more dangerous circle.

The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate. (Amazon)

Setting/Time Period: Present day (2012) and fourteen years earlier (1998) New York and Amsterdam (Netherlands)

Genre: Literary Fiction

Subject Headings: Pulitzer Prize Winner for Fiction; New York Times Bestseller; Artists; suspense fiction; New York fiction; coming of age

 Elements of an award winner: New York Times Bestseller for over seven months and awarded the Pulitzer Prize for Fiction in 2014

Appeal: Character Driven, atmospheric, melancholy, richly detailed, compelling story leading to the end.  The story includes great foreshadowing where you are kept on your toes though out the whole book. It’s on the long side close to 800 pages but it keeps you interested and wanting to finish the book. The Goldfinch is an instant classic literature of recent years giving you that feeling of reading your favorite classics from the past. Great character development and intriguing plot includes the makings for a great book.  Draws you in from the beginning, right to the end.



Read A Likes:


Sunday, March 29, 2015

Historical Fiction


Title: The Light Between Oceans
Author: M.L. Stedman
Publication: Scribner; July 31, 2012
Edition: Hardcover: 345 pages

Synopsis: After four harrowing years on the Western Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby’s cries on the wind. A boat has washed up onshore carrying a dead man and a living baby.

Tom, who keeps meticulous records and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel insists the baby is a “gift from God,” and against Tom’s judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them.  (Amazon, 2010)

Setting/Time Period: Australia 1920s
Genre: Historical Fiction
Subject Headings: Australia—fiction
                                 Domestic fiction
                                 Married people—fiction
                                 Foundlings—fiction
         Lighthouse keepers                             


Elements of historical fiction: Set before author’s lifetime; uses historical accurate place and events; world building based on the time period that very descriptive; storyline heavily focused on Australia circa 1920s and social and moral issues presented at that particular time; contained historical accurate dialect that reflects Australia in the 1920s; leisurely paced.

Appeal: Intriguing, unique storyline that kept me on my toes wanting to know what happens next. Slow paced yet still interesting. Generally good page length that flowed nicely.  Painted a good picture of Australia in the 1920s that presented social and moral issues in an interesting manner, reflective to that time period. Love presented with really sad elements of loss and fear. Great character engagement in a way that you can feel what each character is going through. I enjoyed reading The Light Between Oceans. Previously, I preferred not to read historical fiction or pretty much anything that wasn’t based on present time. I was impressed with this read and now I’m interested in reading others in this genre. The questions of morals, decisions and love and what the book’s characters had to go through is what kept me interested and wanting to know how things ended. Very impressed.


Read A Likes:
The Lightkeeper’s Wife by Karen Viggers
Orphan Train by Christina Baker Kline
All the Light We Cannot See by Anthony Doerr
What She Left Behind by Ellen Marie Wiseman


Thursday, March 26, 2015

Week 11 Prompt Response



Appeal factors for both eBooks and audiobooks varies from person to person. I think the appeal for both lies in convenience. Both do not require adequate light sources to be read, you can read whenever the most convenience, more privacy; not everyone knows what you are reading, easy to get; a simple download can get you instant reading and it doesn’t take up any physical space. These factors appeal those who want different types of reading experiences. Those who may just only care about the contents of the book, not how it’s delivered to them.
The tangible feel of the physical book does somewhat affect the genre. For example, if you love easy reads that are on the shorter side, you won’t necessary get that appeal from an eBook or audiobook because you wouldn’t have any idea when the story is going to end and how to measure how long it takes you to read that book. With a physical book, you can set reading goals for how many pages you can read in an hour and other ways for you to keep track about where you left off and how soon you’ll be done. It’s almost as if you are listening to an audiobook or reading an eBook that you kind of have to read the entire book within a couple of days to get the full effect of the book and its hard to go back and reread anything you have missed with an audiobook or eBook.
Changing the font, line spacing with eBooks does affect the tone of the book. The font chosen for the book was chosen for a reason to depict a certain tone for the book. With eBooks you are most likely changing the font to make it easier on your eyes than the book its self. The book length varies and can become twice as long if you are always changing the font and line spacing. Also, it makes reading book twice as long to finish. As for audiobooks, the tone of the book it affected because the narrator may read at a slower pace than how you read. Track lengths may run longer than anticipated and can be hard to keep up with where you left off. These factors take away from the experience of reading and getting done with a book. Not to mention, the strain on the eyes from eBooks and multitasking and distractions audiobooks allow for. I think both have its pros and cons and that each individual should decide if and when to read or listen to these formats. 

I think its great to read an eBook from time to time or listen to an audio here and there to get the experience of trying out these to different mediums because some books may only be accessed by these formats and its worth a try.
My personal experience with audiobooks is that I find them convenience and I would love to just listen to audiobooks all the time to give my eyes rest but I always end up falling asleep when trying to listen to one. I don’t listen to them when I’m driving because I don’t drive far enough to get any real listening out of it and I always opt for listening to music instead. I love the idea of eBooks, but one major downfall is that it hurts my eyes to constantly read on my iPad. Since I’m always on my phone or laptop reading something all day then having to be on another digital device is an overload for my eyes so I always opt for a physical book to give my eyes some rest. I just love the convenience factor of both and wish the cons wouldn’t out weigh the pros otherwise I would completely love these two formats.

Friday, March 13, 2015

Book Club Experience


I attended a book discussion at the Valparaiso Public Library called Valpo Brown Baggers. Moderated by the branch manager, Valpo Brown Baggers meets every second Tuesday of each month at noon. This is an open discussion, so anyone can attend any of the discussions throughout the year; no one has to attend every month. The list of each month’s book is posted on the library’s website. Those who attend are also welcomed to bring a lunch.
February’s featured book was Me Before You by Jojo Moyes. It tells the story of Louisa Clark, a twenty-something who lives a content life, with a job working in a coffee shop, staying with her parents in a very cramped room and a boyfriend who cares more about exercise than her. One day, Louisa finds out she is laid of from her job at the coffee shop and so she lands herself a temporary job as a caregiver for a quadriplegic named Will. Before his accident, Will had it all, a life of luxury until one day he lost it. Will lost his passion for life and it’s up Louisa to help bring a life worth living back to him.  A fellow member requested this book and so the group’s moderator asked the members to request any book they would like for the group to discuss in the future.
Before the discussion began, the moderator had everyone write their names on a piece of paper so she and everyone else can become familiar with one another. Also, she had available flyers for other programs she is hosting such as the movie discussion. One of the attendees bought pizza for everyone to eat as part of their lunch. The room was full, not one available seat. It seemed like everyone was familiar with one another so I can see that mostly all of the attendees were regulars and attended both the brown baggers and the movie discussion when they are offered.
The discussion began a little after noon, the moderator began the discussion with a great question “what do you think the title means?” This is an open for interpretation questions so the attendees all jumped with their thoughts. They all seemed to have so many ideas for the title may reference to and took turns answering. I noticed that when someone was speaking everyone else listened intently to the speaker and waited for their turn to speak. Everyone who attended participated in the discussion and provided their thoughts and opinions when the moderator asked them questions. They all also gave real life examples in reference to the book. I saw this, as everyone was comfortable with expressing and sharing something about their lives because they all linked personal examples with what occurred in the book. No one shied away from giving their opinions of the book or expanding on what others thought of it.  The discussion lasted for an hour and it went by rather quickly. Their wasn’t one quiet moment and everyone actively participated both verbally and non-verbally.
To end the discussion, the moderator gave a reminder for next month’s book and also took names for those who want to check out next month’s book because there were no available copies in the system. Even after the discussion was over, everyone was talking with one another, hanging out. I thought it was a good group and I can tell all of the participants enjoyed both the book and the discussion.


Sunday, March 8, 2015

Special Topics Paper: Future of Readers Advisory and Emerging Trends


Future of Readers Advisory and Emerging Trends


            Readers advisory asks more of information professionals than supplying readers suggestions of items similar to what they’ve already read or what might feed their current interest. Advisory is a proactive duty, and when taken seriously can open readers’ minds to a plethora of new information, literary genres and authors. It’s equal parts marketing and educating, which means its effectiveness depends heavily on adaptability. Readers—as well as what they read and how they read—have evolved. In recent years, this evolution has come rapidly and dramatically with the arrival of the digital age. Connecting readers to information through digital means isn’t necessarily a post-twenty-first-century phenomenon, but the widespread use of digital devices and the process of storing and accessing information with these devices has come quickly. In order for institutions that offer information to the public to remain relevant and forward-thinking, they must be able to adapt as the world evolves. What this means for readers advisory is that new means of performing this role are necessary.
            When asked to explain the function of readers advisory, the average person might offer something basic, such as, “Recommending books to a person based on what they read before.” While this is certainly a way to perform this function, it’s not the only way and is overly simplified. In fact, this description is reactive more than proactive, and readers advisory is anything but reactive. Libraries must move constantly ahead of the curve. Instead of waiting for a patron to first establish a borrowing history before identifying patterns in their reading material of choice, a library professional would welcome questions about new acquisitions and trending collections and he or she would also identify some key information about what the patron enjoyed (or didn’t enjoy!) about their previous read. This information would help create a framework from which the library professional would guide the patron to a broader and sometimes different landscape of literature. “Readers’ advisory requires a certain skill set to perform well, though by no means is it something limited to librarians. The ways of performing readers’ advisory can be what sets librarians or others in the book industry apart from a friend offering book recommendations, though. It requires being able to ask someone about their reading preferences and being able to interpret their answers (or non-answers as often the case is) with sensitivity to their needs. In other words, what I like to read isn’t what matters; it’s what the person standing in front of me likes to read that matters. The questions I ask revolve around recent favorite reads, favorite genres, and my favorite—things they definitely do not enjoy reading” (Stacked). Introducing readers to new authors and different genres is an important part of readers advisory because it enables readers to further broaden their perspectives and reading interests. This isn’t to break a reader’s patterns or preferences. Instead, it enhances them.
            Readers’ advisory can occur in a retail outlet in the form of employees’ recommendations. Employee picks are eye-catching and typically compel customers to give the picks a second look. In libraries, displays and book lists are created with careful thought and planning. Displays are clearly constructed to draw patrons’ attention, while book lists are handy and well-organized guides that allow patrons to have their potential next read at their fingertips. Because we are currently living in a digital age, people can with good reason question the necessity of such proactive measures when online retailers as well as websites devoted to books and reading use algorithms and highly sophisticated computerized methods to recommend future reads. Purchase a book via Amazon.com and you’re guaranteed to see a horizontal list of recommendations following the purchase or the next time you sign in to the site. Become a member of Goodreads and you’re bound to see a box on the right of the screen that tells you what other readers who read the books you’ve read have also enjoyed. And yes, Amazon currently owns Goodreads, so there’s clearly a correlation. Nevertheless, other retailers and reading websites function in similar ways. The key element to remember is that digitized readers’ advisory is simply that: digitized. The personal touch is absent. In libraries, patrons interact face-to-face at reference or circulation desks with library employees. They are allowed and encouraged to ask questions, get opinions, and very importantly they can speak to someone about specific reasons why a particular book would be recommended. Amazon recommendations don’t tell a customer why a book has been recommended. Neither does Goodreads or Library Thing or other similarly popular sites. Even in a digital age, human interaction is important and relied upon.
            What’s important to keep in mind is that readers’ advisory does not exist for the purpose of defying digital advisory. On the contrary, libraries are embracing trends and using digital methods to connect with patrons. Libraries are also connecting patrons to digital methods to not only pick their next read but to actually read. E-readers have become immensely popular for several reasons, including lower prices of ebooks, convenience of storing ebooks, and immediate access to ebooks. In the digital age people want what they want immediately. Purchasing an ebook that’s not a preorder means downloading and having full access to that material within a few short minutes. This new format has not only influenced consumer behavior, but also what material is “out there” for readers to access.
            A significant trend that affects readers advisory is that publishing doesn’t depend solely on the New York Big Five. The popularity of self-publishing has grown exponentially. Consumers who shop online are exposed to a huge variety of material that can fit into virtually any genre and across numerous genres. It can be overwhelming and library patrons would need guidance in order to navigate that environment and digest what’s being made available to them. With self-published materials, quality control is a concern. Sometimes the material isn’t professionally edited, and it’s important to remember that gatekeepers (sometimes viewed as the New York publishing machine) are in place for several reasons and oftentimes it benefits readers. It’s also important for libraries to be aware and fully educated on traditionally published material available via digital means in addition to fully self-published material. A major trend in readers’ advisory will be communicating with patrons about self-published works, though this new landscape is not without challenges. In fact, it contributes to existing challenges. “Since RA is seen as mission-critical and an area of growth, libraries may need to identify and remove or reduce obstacles to the best service. Among the impediments are lack of resources and lack of confidence. The biggest cause of RA angst is keeping up with books and genres, a problem cited by 21% of the librarians. Almost as many, at 17%, noted discomfort with unfamiliar genres. Says one respondent, “making recommendations for types of reading none of the staff has personal familiarity with” gives staff members pause. The volume of materials being published can be overwhelming, too; librarians comment that “there are just too many books to know about.” In addition, while 72% of respondents are confident or very confident in their adult RA work, when it comes to advising children and young adults, only 58% and 51% of respondents who advise those groups, respectively, feel that their abilities are up to par” (Library Journal).
            These pains are not uncommon, nor are they insurmountable. With dedication and concentrated effort, and perhaps innovative ways to use library websites and apps, professionals can comfortably navigate and understand the multitudes of information that digital trends have made available to the public. Libraries can still exist as not only a bridge but as a facilitator, and that’s a positive thing that makes the future of readers advisory bright.


Works Cited

Schwartz, Meredith, and Verma-Thorton, Henrietta. “The State of Readers’ Advisory.” 3
Feb. 2014. Library Journal. Web. 7 Mar. 2015.

Jensen, Kelly. “Why Good Readers’ Advisory Matters.” Stacked. Stacked, 6 Sept. 2012.
Web. 7 Mar. 2015.


Saturday, February 28, 2015

Week Seven Prompt


I found this article online that discusses fake memoirs and how they should be not be shunned and not stir up such an outrage because they contain merits of great fiction. Fake memoirs like those mentioned in the article are deem as great works of literature but lost its worth when the truth was reveal these books where made up.

Fans and those purchased fake memoirs have the right to be outraged.  The reasons these people may want to read memoirs is for the mere fact that they are nonfiction and they may like to read stories based on real life experiences. It’s upsetting that later on, they would find out that these stories are not true. When I hear about these type of stories, I get upset. Readers believe in these life stories and finds inspiration for their own lives and to later on tell them that it’s all a lie is so upsetting for me to hear this.

In all cases where its revealed that someone’s memoir is fake, they should not be moved to the fiction section because it interferes with the genre of fiction itself. Those who want to fiction do not want to see a book there that was once being marketed as nonfiction.  Fiction is about fictitious characters with fictitious names, so these books to me; do not really qualify to be catalog as fiction. If these books are being continuous printed and cataloged they need to remain in the nonfiction section and catalog as fake memoirs. Hopefully celebrity life stories will not be dominating the fiction shelves in the near future.


Monday, February 23, 2015

Mystery Annotation: Cinnamon Roll Murder by Joann Fluke


Title: Cinnamon Roll Murder (A Hannah Swensen Mystery)
Author: Joanne Fluke
Publication: Kensington; Reprint edition (January 29, 2013)
Edition: Mass Market Paperback; 384 pages
Series: Hannah Swenson Mystery

Synopsis: Hannah Swenson a baker and also runs a coffee shop with her sister. One icy April afternoon in Minnesota on their way to deliver cinnamon rolls at a local club, the two are driving their catering van which swerves slightly of the road and end up in an accident with a tour bus of the band Cinnamon Roll Six. Set to play at a local club that night, majority of the band members suffered no injuries while the keyboardist Buddy is rushed to the hospital. With his injuries are getting worse, he ends up being murdered at the hospital.  Hannah and her sister suspect that the death of Buddy isn’t from the tour bus accident so they go on to solve the mystery of who killed Buddy.

Setting/Time Period: Set in present time in Minnesota during early spring.

Genre: Mystery; cozy mystery

Subject Headings: Detective and mystery stories, Swenson, Hannah (fictitious character); Women and private investigators--fiction; cooking-fiction; Minnesota--fiction

Elements of a mystery: There’s a crime that is under investigation in form of a puzzle. The Hannah Swenson Mystery series follows the same characters throughout the whole series as she and her friend investigate different murders that occur in each book. The murders are solved at the end of each book but the characters internal plots are ongoing in the series.

Appeal: There is element of romance, mystery for those who prefer mysteries that are on the calmer side. The series has a specific formula so it can be bit predictable but each mystery within itself has twists and not easily predictable yet it holds the readers attention. Intertwines food and mysteries and also includes recipes in the book.





Read A Likes:

  • All the president’s Menus (A White House Chef Mystery) by Julie Hyzy

  • In Hot Water (A Sweet Pepper Fire Brigade) by J.J. Cook

  • Lie of the Needle (A Deadly Notions Mystery) by Cate Price



This series is definitely what I would consider a cozy mystery. A good series to start of with if you haven’t read many mysteries and prefer not to read violent books. It’s safe book to read with content isn't consider violent. Easy to read, investigation and overall progression of the book flowed well and easy to follow. Noting to throw your off course of guessing who the killer is. Good character development if you haven’t read any books from the series prior to reading this one.

Tuesday, February 17, 2015

Reading Prompt Week 6


Halloween Horror October Display: Featuring Horror Books that have been Adapted into a TV Series of Movie

This display can run all October or anytime during year where there is a popular release of an upcoming season of a  horror TV series or movie, for example the Walking Dead. If the latest season release date on DVD is in October, the display will mainly consist of The Walking Dead promotion release information (the day it will be available at the library and display art as well as other horror books and their movie/TV series counterpart all in one bundle. With these bundles, patrons have the opportunity to check out the whole bundle or choose if they would like just the DVD or the book. The goal is to promote an upcoming release while also promoting other items that are in the horror genre that patrons may enjoy. Promoting the horror genre in October is ideal because most patrons are starting to watch and read more of these items because of Halloween. The display will make items in this genre easy to find and also help decorate the library for Halloween.